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Selling Your Story in 60 Seconds |
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“In a field choked with alleged “script doctors”, Michael Hauge remains the surest, most sensible alternative. When I pick up the phone for help, he's the call I make.” |
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-Shane Black, Screenwriter: Lethal Weapon 1 & 2; The Last Boy Scout; The Long Kiss Goodnight; Screenwriter/Director: Kiss Kiss Bang Bang |
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"The only screenwriting instructor out there who might be truly wasting his time – because he should be writing screenplays instead. Higher praise I cannot give ." |
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-Terry Rossio, Screenwriter (with Ted Elliott): Pirates of the Caribbean 1, 2 & 3 ; Shrek; Alladin; The Mask of Zorro; (with Bill Marsilii): Deja Vu |
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| "My writing partner and I have made most of our sales – including Wedding Crashers – by pitching. Over the years, through trial and error, stumbling, stuttering, and a fair amount of humiliation, we've become pretty good at it. I wish this excellent book had been around when we were starting out—it would have saved me most of the humiliation, and some of the stuttering." | |||
-Bob Fisher, screenwriter (with Steve Faber): Wedding Crashers; We're the Millers |
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| “Michael's work has saved my butt on more than one occasion – and I keep having occasions, so I'm glad he's still at work. If you want to be a better writer, and a better presenter of your own work, stop reading this quote and go buy the book .” | |||
Jeff Arch, Screenwriter: Sleepless In Seattle, Iron Will, Saving Milly, Writer/Director: Dave Barry's Complete Guide To Guys |
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| "For 25 years I have been telling UCLA graduate screenwriting students, ‘You sell in the first minute! From then on it's filler.' Well, Michael Hauge shows rather than tells how in this terrific book ." | |||
Lew Hunter, UCLA Dept. of Film and TV; Producer/Screenwriter: Fallen Angel; Playing With Fire; Author: Screenwriting 434; Naked Screenwriting : Interviews with 20 Academy Award Winning Directors and Writers |
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| “ A wonderful book -- important, accessible and user-friendly. Michael knows just what's needed to get that script through that difficult Hollywood door. He makes the impossible look possible, and the possible look accessible. An absolute MUST for every screenwriter who wants to sell a script." | |||
Dr. Linda Seger, Script Consultant, Seminar Leader, Author: Making A Good Script Great ; Advanced Screenwriting |
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“Finally, someone's got it right. Michael Hauge's book is insightful and totally on the mark for anyone interested in pitching their screenplay. Write a screenplay, then read this book, and half the work is done.” |
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-Syd Field, Screenwriter, Lecturer, Author: Screenplay; The Screenwriter's Workbook; The Screenwriter's Problem Solver |
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| "Props to Michael Hauge, who once again advances his timeless insights , this time into perhaps the most under-utilized tool in the professional writer's war chest: the telephone pitch. Armed with his savvy methods, you'll commandeer the meaningful consideration you and your work deserve.” | |||
-Diane Cairns, Producer; Screenwriter; Former Senior VP: ICM; former Senior VP of Production, Universal Pictures |
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Writing Screenplays That Sell |
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| "Michael's book Writing Screenplays That Sell was the first book I ever read on screenwriting, and though I've read many since then, his is still the best. It has become my Bible of Screenwriting. Thanks to Michael Hauge I am now able to make a living at screenwriting and I still base everything I write on what I learned from his books and seminars. The information is absolutely invaluable for any screenwriter. Thank you, Michael. " | |||
-Jan Wilson, Screenwriter: Mathilde |
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"Included in my list of 'must buys' for my screenwriting seminars is Michael Hauge's Writing Screenplays That Sell. His chapter on on 'Marketing Yourself' is invaluable to the beginner, as well as the seasoned, frustrated writer. I tell my students 'Spend quality time thinking about Hauge's concepts then incorporate them into your process. You will simply be a better writer for it." |
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-Sally J. Walker, Lecturer for Metropolitan Community College-Omaha, NE, Script Supervisor for Misty Mountain Productions, Screenwriter, Novelist and staff writer for MOVIESCOPE Magazine.. |
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Pitch Coaching |
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"Michael Hauge, one of the most sought after lecturers and script consultants in the U.S." |
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—Scriptwriter Magazine, January, 2007 |
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| "Michael Hauge's approach helped turn a solid short pitch into an outstanding one, which led directly to an enthusiastic request for my script. Within two months I was asked to sign with a major agency. Michael will give you the edge you need when you're going in cold, and do it in a way that's comfortable, reassuring, and right on target.” | |||
—Rudy Yuly |
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"I had a one on one with you at the Great American PitchFest, and you tore apart my original pitch. You were right! After our session I pitched 12 producers, 8 took my one sheet and 4 asked for the script. A couple of them even said, 'Great job,' after I implemented your suggested changes. Thanks!" |
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— Susan Raby-Dunne Screenwriter, Alberta CANADA |
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“I am a first time writer, and I've never done anything like a pitch. However, in only a few minutes you had gotten to the bottom of my story and organized it perfectly. Imagine my surprise when the very first producer I approached at the Pitch Fest told me that I had 'just given the best pitch she had ever heard!' That gave me all the confidence I needed for the rest of the day. I feel confident I can pitch to anyone now. Thank you!” |
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— Ed Abramson , Screenwriter : Season of the Witch |
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“ I made five separate pitches following your suggestions and every company I met with asked to see my screenplay. Now comes the hard part, polishing this script 'till it shines. Thanks again." |
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— Anne Winn |
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| "Your advice was worth every penny! Just to have you ask the simple question, 'What do YOU love about the story?' was enough to make me create a pitch that I was able to give clearly and enthusiastically. Eight out of the nine companies and agencies I pitched to asked to see an outline, and one agent said I was a breath of fresh air. Thank you again for all of your help.” | |||
—Sarah Walker Screenwriter |
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| "Many thanks for your presentation and for the personal pitch coaching you gave me. I spent all of Saturday night rewriting and practicing my pitch along the lines you suggested, and it paid off. On Sunday, everyone told me it was a great or excellent pitch, even if they weren't interested in the material. Six companies asked to see my script, and four others will take a logline and synopsis.” | |||
—Mary Fenton Screenwriter |
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Coaching |
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| “… one of the few authentically good teachers out there. Every time I revisit my notes, I learn something new or reinforce something that I need to remember.” | |||
—Jeff Arch Screenwriter: Sleepless in Seattle; Iron Will |
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| “Michael Hauge’s method is magic-but unlike most magicians, he shows you how the trick is done.” | |||
—William Link Screenwriter & Co-Creator: Columbo; Murder, She Wrote |
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"The money I spent for coaching with Michael Hauge was the best investment I could have possibly made in preparing to pitch to Hollywood buyers, and how to deal with them after that! I told Michael my story and he turned it into the perfect pitch. He is brilliant! The Hollywood people loved it! More important, Michael's kind demeanor and honest opinion helped me better assess my story. His knowledge of the industry is extensive, and it really helps to have someone like him on your side. His presence is very calming and his kind, supportive manner helps very much with those jitters before the big pitch. By the end of the pitching day, I was completely confident and pitching was old hat. "Michael Hauge is a bargain, and worth every penny -- and more!” |
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—Lisa Marie York Screenwriter |
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Lectures |
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| "Simply put, Michael Hauge's screenwriting philosophy and approach is a must for anyone considering a career as a screenwriter. From premise to story development to marketing, every bit of his advice and instruction is golden. In one weekend he has given me the tools and the confidence to succeed. He is truly a gifted and generous instructor, and I am grateful for the opportunity to have studied with him. I will be a repeat customer for sure!" | |||
—David VanMatre |
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| "Michael Hauge’s principles and methods are so well argued that the mysteries of effective screenwriting can be understood - even by directors.." | |||
—Phillip Noyce Director: Patriot Games; Clear and Present Danger The Quiet American; Rabbit Proof Fence |
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| "Michael Hauge's is by far the best screenwriting seminar I’ve ever experienced, taught by the man who launched my career.” | |||
—Paul Margolis, Writer/Producer: Sirens; Former Story Editor: MacGyver |
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| "By following the formula we learned in Michael Hauge’s seminar, we got an agent, optioned our script, and now have a three-picture deal at Disney.” | |||
—Paul Hoppe & David Henry Sterry, Screenwriters |
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| "The most comprehensive, forthright and thoughtful analysis yet for professional screenwriting.” | |||
—Diane Cairns, VP Production: Universal Pictures Former Senior VP, International Creative Management. |
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| “After attending Michael’s class I did a complete rewrite on my screenplay and within two weeks had an offer from a major studio with a major star attached.” | |||
—Chet Holmes Writer/Producer: Emily’s Song; Immortal Vengeance |
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“Since attending your seminar, my scripts have won first place at the Hollywood Screenwriting Institute, Fade-In Magazine, Telluride Indiefest, and six other competitions. And by using your 6-stage structure, I've at last found a publisher for my novel! I surely would not have had such success with my writing if it hadn't been for your seminar.” |
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-Robert Gately, Novelist/Screenwriter: South of Main Street, Boo Hoo Flanagan, Corporate Policy |
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©2008 Michael Hauge |
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