The opening of your screenplay is your single most powerful weapon for acquiring an agent or securing a deal. Most Hollywood executives won't read past page 10 if they're not immediately involved in your story, but will forgive an abundance of weaknesses later in the script if you grab them from the moment they begin. Using examples from several Oscar nominated screenplays, this DVD will show you how to insure that your opening scenes draw readers into the world you've created, set the tone of your screenplay, establish empathy with your hero, lay the groundwork for character growth and theme, and compel readers to turn the page. Michael also gives selected participants direct feedback on their opening scenes, which you can read directly on the screen as you hear his commentary and suggestions.
$19.95
“… one of the few authentically good teachers out there. Every time I revisit my notes, I learn something new or reinforce something that I need to remember.”
-Jeff Arch,
Screenwriter: Sleepless in Seattle; Iron Will

"The most comprehensive and thoughtful analysis yet for professional screenwriting.”
-Diane Cairns, VP Production: Universal Pictures; Senior VP, ICM

“Michael Hauge's seminar was the only screenwriting class I ever took, and within four months I had sold my first TV script. Eight years later, I'm still successfully writing television and still using the skills and techniques I learned from Michael.”
-Tammy Ader
Creator/Executive Producer : Strong Medicine
"A sculptor needs a mallet, a painter needs a brush, and a screenwriter needs Michael Hauge. He works with you beat by beat, forcing you to evaluate your entire script from every conceivable angle, while always honoring your own personal vision for your film. Michael guided me through numerous rewrites of the script for my latest feature, until I was ultimately able to secure major independent financing . . .. If you're serious about your journey, Michael has the map.”
-Robert Celestino,
Writer/Director: Mr. Vincent, Yonkers Joe
“After attending Michael's class I did a complete rewrite on my screenplay and within two weeks had an offer from a major studio with a major star attached.”
-Chet Holmes
Writer/Producer: Emily's Song; Immortal Vengeance

 

 

 

 

 

 

 

 

 

 

 

 
"Your advice was worth every penny! Just to have you ask the simple question, 'What do YOU love about the story?' was enough to make me create a pitch that I was able to give clearly and enthusiastically. Eight out of the nine companies and agencies I pitched to asked to see an outline, and one agent said I was a breath of fresh air. Thank you again for all of your help.”
-Sarah Walker,
Screenwriter